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8 January 1836 – 25 June 1912. Most renowned painters.

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Jan Van Eyck
The Ghent Altarpiece

ID: 58759

Jan Van Eyck The Ghent Altarpiece
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Jan Van Eyck The Ghent Altarpiece


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Jan Van Eyck

1395-1441 Flemish Jan Van Eyck Locations Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.  Related Paintings of Jan Van Eyck :. | Adam and Eve | Portrait of Margarete van Eyck | Die Hl. Barbara | Crucifixion y Juicio final | Suckling Madonna Enthroned |
Related Artists:
Frederick Leighton
1830-1896 He was an English painter and sculptor. His works depicted historical, biblical and classical subject matter. Leighton was born in Scarborough to a family in the import and export business. He was educated at University College School, London. He then received his artistic training on the European continent, first from Eduard Von Steinle and then from Giovanni Costa. When in Florence, aged 24, where he studied at the Accademia di Belle Arti, he painted the procession of the Cimabue Madonna through the Borgo Allegri. He lived in Paris from 1855 to 1859, where he met Ingres, Delacroix, Corot and Millet. Flaming JuneIn 1860, he moved to London, where he associated with the Pre-Raphaelites. He designed Elizabeth Barrett Browning's tomb for Robert Browning in the English Cemetery, Florence in 1861. In 1864 he became an associate of the Royal Academy and in 1878 he became its President (1878?C96). His 1877 sculpture, Athlete Wrestling with a Python, was considered at its time to inaugurate a renaissance in contemporary British sculpture, referred to as the New Sculpture. His paintings represented Britain at the great 1900 Paris Exhibition. Icarus and DaedalusLeighton was knighted at Windsor in 1878, and was created a baronet eight years later. He was the first painter to be given a peerage, in the New Year Honours List of 1896.
Pavlosky, Vladimir
American, 1884-1944
Jan Toorop
1858-1928 Dutch Jan Toorop Gallery He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.






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